Sunday, September 03, 2006

some more photographs of Morecambe desolation
























































Well, I've been a bit distracted in the last week and so my photoblogging's slowed somewhat. In the meantime, and because the Minnesota State Fair brought it to mind, here are a few more photos of Morecambe, taken when I went back there in July. Piika's pairings of poetry and photography got me thinking about the American poet, Kenneth Fearing who wrote mainly in the 1930s and 1940s. I think that Piika got me thinking about Fearing because her pairings of poetry and photography bring to mind the strong visual element of his poems. Fearng also wrote about time in an interesting way. I think that it was he who described cameras as "clocks that take pictures." That's an idea that I think really speaks to the practice of photoblogging too, what with the extremely fast process of image reproduction that tends to occur. (Ironically, my laziness this week sort of contradicts that, but even so, I think it's often the case).

There's something about Morecambe's "in-process-ness" (if you know what I mean) that makes me think of time. The town seems to be changing (mainly decaying) as time ebbs away. The last three photos suggest ongoing decay, though there are things in Morecambe (that are less evident in these photographs) that suggest rejuvenation. Then again, perhaps decay is also a kind of rejuvenation if we see Morecambe’s declining tourist trade as a metaphor for a return to its pre-tourist resort past. The first photograph (inside Brucciani's cafe on the promenade) evokes a sense of stasis for me—time has pretty much stood still there in the sense that the owners have retained the gorgeous art deco and (thankfully) resisted implementing any major modernizations. For me, the near absence of people in the photographs also evokes Morecambe's odd relation to time. These scenes look both timeless and of their contemporary moment, I think. Photographs of the promenade created between the 1910s and the 1970s generally show large crowds of holidaymakers (let’s see if I can find some old postcards soon). That was before cheap flights made it possible for holidaymakers to go to the seaside resorts of Spain and other European locales.

Anyway, enjoy the desolate, yet strangely beautiful decay of Morecambe. Let's see if I can get out and photograph some interesting moments (ha! The time thing again!) in Saint Paul or Minneapolis soon.

6 Comments:

Anonymous Anonymous said...

somehow your photos remind me of the American painter, Edward Hopper - there's a kind of stillness and melancholy.

9/4/06, 9:02 AM  
Blogger phlegmfatale said...

Wow, beautiful post, haunting images. I love that methaphor, that cameras are clocks that take pictures.
The world outside the window taken from within the bar/cafe, looks ghostly. These photos remind me of winter trips to England when I happened to go to Blackpool and Great Yarmouth. Eerily deserted, the boardwalks were, overseen by the faded trappings of summer frolics long gone by. Why is it that these places seem much more desolate than an undeveloped beach area? Is it a measure of our acute narcisism that we mourn the decay of another age's great delights? Or maybe without the crowds and bright sunshine and fresh coats of paint we better see through the facade of our time-killing amusements? Who knows?
Glad to see these, glad you posted. Will look forward to more.

9/4/06, 9:52 AM  
Blogger Meg said...

I thought the Carny Man kitnapped you. Great to see you back.

Melancholy is exactly the word I was thinking of.

Here's another view; I read a little bit about photography about 10 years ago, and ciritics, as well as some photographers, said photographs are not always records, because there is always the intention of the photographer to shoot something or in some direction or at some time, even if things happen unnoticed or unintentionally in the photo. To that end, with my new and spiffy digital camera with autofocus (my other camera is an Olympus OM-2, without autofocus) sometimes I just shoot without looking, but I DO notice even then that there is that wee bit of intention on my part. I'm NOT disagreeing with you guy, but this bit has bothered me for 10 years... no, it's going on 20 years now... especially when you look at photos from wars and other disasters.

These places vs. underdevelopped beach. How about the intention of the developpers to make it a crowded/populated place and the plan not having worked, vs. whatever forces 'made' the beach probably didn't care, it was just a beautiful thing to make? Conceit that making a few nicely painted structures will call people here? Testament to changing fashion and our short attention span? Short lifespan of teh results of marketing researches...

Good to have you back, and good to congregate at your place, Nomad.

9/4/06, 3:17 PM  
Blogger . said...

piika: thanks for the point about Hopper. Yes, I think I like that melancholic sort of feel in photographs.

Phlegmfatale: your point about narcissism... yes, it is interesting that we tend to mourn the decay of other ages' delights. Something to do with the feeling that there's a lack of authenticity about our contemporary cultures, I imagine (the "facade of our time-killing amusements" as you put it so well). I'm a bit suspicious of that tendency even as I participate in it by reveling in Morecambe's decay. I think that this is one of the things that distinguishes contemporary modern culture--the desire to seek something real in a past that we perceive as somehow more fulfilling. I guess that seaside towns loan themselves to that sort of reflection... So, you went to Blackpool? That's just down the road from Morecambe (25 miles or so). Blackpool is one of the few seaside resorts in England that has managed to sustain the sort of trade that was typical in past decades. The Vegas of the North of England as some of us call it.

Meg: I agree with you that we can't assume that photographs are simply records. I think that it would be difficult to argue that photography is an objective practice free from manipulation/the interpretation of the photographer. I see how Fearing's analogy--the notion that cameras are "clocks that take pictures"--seems to imply that photographs can be records. I don't think he meant that though. I've been looking for the poem that carries this line and of course I haven't been able to find it. I'll have to do that to see exactly what he wrote.

As for the resort and the beach: yes, it's odd... the beach seems to be the only thing that is surviving into the 21st century, all other things there either literally or economically collapsing. One other irony is the punk festival that takes place every year in Morecambe. I remember in the 1970s and 80s amid the beginning of the end of the holiday trade, some locals were outraged that punks and other "undesirables" were gravitating to the town. Letters appeared in the press suggesting ways of getting rid of the newcomers. Now the punk festival held every August provides an important slice of the town's annual income. Thousands of punks (many of whom with kids in tow) come to the town and give the local economy a much needed cash injection. The return of the rejected...

Thanks, y'all...

9/7/06, 9:40 AM  
Blogger phlegmfatale said...

Yup, I went to Blackpool and it was between Christmas and New Year's. Had a nice time there, - it was brutally cold and the boardwalks deserted, so I loved it. I love cold and dreary weather at the beach - I feel much more stirred by the ocean at times like that rather than on sunny summer days. Maybe I don't like it being such a common, casual group thing on the beach. Winter beach people seem much more purpose-driven.

9/28/06, 10:47 PM  
Blogger Meg said...

This comment has been removed by a blog administrator.

10/21/06, 3:36 AM  

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